As far as musical biopics go, they tend to be more of a miss than a win in many cases, with the plus side that at least you, potential watcher, get to listen to some good music even if the script fails. There are exceptions, i.e. films where both the music is good and the film doesn’t feel like a visualized wikipedia entry, for example, Love & Mercy, which escapes the formula by picking two distinctly different and important eras of Brian Wilson’s life instead of his whole life, with 1960s Brian on the verge of creating his masterpiece and having a mental breakdown played by Paul Dano and 1980s Brian, in the power of a ruthless exploitative doctor but about to freed via encountering his second wife, by John Cusack. The performances are great, the different eras are poignantly commenting on each other, and even were Brian Wilson a fictional character, the film would be worth watching. If Love & Mercy wins for originality with the template, Walk the Line (about Johnny Cash) wins for doing the formula expertly, in fact so well it became endlessly copied and parodied thereafter. James Mangold, who directed Walk the Line to a lot of commercial and critical success back in the day, waited for near two decades before going near another musical biopic again, but he did last year, resulting in A Complete Unknown, starring Timothee Chalamet as Bob Dylan, which courtesy of the Mouse channel I have now watched.

( You who are so good with words and at keeping things vague )

All in all: good, very good, though not great. But it’s the first film in a while where I absolutely want to have the soundtrack.