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The Sundial scarf-shawl of oddments has been bound off. The request in black yarn plods along.

The same thing is wrong with the 2022/23 cabled cardigan that I left sleeveless and the 2018 cabled vest: for me, they need a few additional short rows near the top of the shoulder on the front panels, with a corresponding decrease to armhole depth. The upper back could probably use a few short rows as well, but the front lower hem is awkwardly too short even after wearing and tugging.

That isn't a pinch-and-pin modification for any garment I've worn so far (contrary to helpful sewing-analogue advice), but I think it is the right mod. Even storebought shirts and jackets marketed to AMAB men in vaguely me-compatible sizes lack a bit of needed garment distance near the yoke, left to right---indeed, 1) always between neck and shoulder along the top, and between sternum and armpit in front, and 2) sometimes across the back of the neck---as well as front to back, along where one's hand goes to give oneself a quick shoulder-rub. Those garments are a little to a great deal too large from mid-armhole to lower hem, but they're often dramatically too bulky in armhole and too shoulder-constrained at once.

My mother has brought me a random skein of fingering-weight yarn, a "handspun" singles in dark brown, not dyed. It has sat for a few weeks in a bag in the freezer, in case. What to do with 125 g of random jank? I'm not a yarn-collector, and my hands can't make socks at the moment. Best match is probably a straightforward end-to-end accessory, such as Lille Kolding, since 125 g isn't enough for a hood-scarf. (Warm hats don't fit my head well, and on some days it's been mid-30s F = 1-2 C when I walk tiny housemate.)

Alas, based on others' project notes, 125 g of unknown total length can't become the main/background color for a Sundial tee. Though Wool and Pine designs are a bit raw (I changed every "finishing" detail for the Sundial scarf), their design sense is good, and the modularity of this tee lets me see how to rewrite the upper yoke. I'm not cool enough to rewrite complex or well designed patterns; two garment WIPs from Yamagara and the cabled BT cardigan that hurts my hands to knit have been sitting for months while I ponder construction and drape.

Weaving with a backstrap and rigid heddle and weaving on an inkle loom with string heddles feel to me like almost opposite activities. Inkle loom users who chat about it online often prefer cotton; backstrap weavers use whichever materials they'd like. The string heddles I made for my first inkle-loom attempt are of #20 crochet cotton, and they don't stick to anything---but the sock yarn I've used as warp snagged a bit every time I changed sheds, and I ended the attempt early. Thicker string (or a rigid heddle, which enforces slightly more space between warp threads) might've helped.